Fashion — and not impartial the summer 2014 Milan period — has developed so boisterous and disorderly, it is occasionally threatening to distinct performance from product.
But here were needed clothes contribution a stimulating and actual present floor of the greenness of countryside merged with the liveliness of sport.
“It’s really about sensuality in form — you can be sensual in layers of light organza and you can be modern in oversized trousers. It’s all about individuality,” said the designer Consuelo Castiglioni, mentioning to slim, calf-length dresses and skirts, damaged with sports plugs and sandals; or to pants cut on all-encompassing smoothed lines and with cavernous cuffs; or further static to the difference of augmented flowery prints and of fleecy extravagant peplums on white jackets.
This combination of the useful and the decorative, the idealistic and the bouncing is a certain tendency and the notion fitted well with the idiosyncratic spirit of Marni — with or without illuminations and music.
Where would Donatella Versace have been deprived of the rhymer shriek of “Versace, Versace, Versace” to confirm the brand’s highway cred later all these years?
The designer on-going the Versace gathering with the soul of the street: high-end denim as a blouson highest with loop skirt and chains rotund the neckline — a sample of Gianni Versace’s metallic lattice of the 1980s re-entered at the end of the display.
Source: NYtimes
